selected work

Appearances

Criticism and Reporting

2025

Exhibition text for Pratchaya Phintong’s solo exhibition “Empty Set” at Para Site, Hong Kong

Reading at The Weather In-Between: Monsoons, Markets and Other Derivative Atmospheres, a symposium for “Empty Set” at Para Site, Hong Kong

2024

Guest performance at See You There Tonight, closing programme for Trevor Yeung’s “Soft Breath” at Para Site, Hong Kong

Camera Eats First exhibited at “Dear Reader”, organised by Cici Wu and Elaine W. Ho at Loong Mah, New York

Presentation of "To Whom It May Concern: Memeing Social Change in post-2019 Hong Kong" for the Virtual Publics in the Memosphere conference at Dartmouth College

2023

Moderated discussion panel for Cici Wu’s solo exhibition “Belonging and Difference” at Empty Gallery, Hong Kong

𝑴𝒊𝒔𝒕𝒚 𝑪𝒐𝒏𝒏𝒆𝒄𝒕𝒊𝒐𝒏𝒔 𝑹𝒂𝒅𝒊𝒐 ☔ 夢中人電台, a broadcasting for Critical Circulation MI at Ultradependent Public School, BAK, Utrecht

2022

Camera Eats First

Art and Architecture

2026

Interventions in rural Zhejiang by Atelier Wo–Land

The Architecture Review

Rural development, public infrastructure, social design

Sasaoka Yuriko at Shiga Museum of Art, Japan

Frieze

Artistic labour and displaced agency

“La Moustache” curated by Jordan Stein at Empty Gallery, Hong Kong

Spike Art Magazine

Paranoid reading, known unknowns, Conceptual art

2025

Meet Me at SOGO

CONG

Aesthetic labour, weeb culture, capitalist modernity and its built environment

House M in Beijing by Atelier About Architecture (PDF)

The Architectural Review

Private wealth, anti-McMansion, middle class problems

Revisit: Bridge House in Fujian by Li Xiaodong Atelier

The Architectural Review

Is top-down rural development necessary?

Bricolage Houses in Shenzhen by ARCity Office

The Architectural Review

Urban-rural land reform, development models, “community art” for the working class

Interview with Taro Masushio at Empty Gallery, Hong Kong

Spike Art Magazine

Bricolage, anti-visibility, meaning-making

2024

Art Labor at Para Site, Hong Kong

Stir World

Modernisation, anthropology, found forms

Doris Guo at Empty Gallery, Hong Kong

Spike Art Magazine

Mother-daughter, mystery, genres

2021

Time of Death

Spike Art Magazine

Museum labour, exhibition production, institutional critique

Literary and Cultural Criticism

2026

Interview with Yi-Ling Liu on The Wall Dancers

The Baffler

2023

Two Anglophone memoirs about Hong Kong

The Baffler

2021

A tech travelogue set in rural China obfuscates material conditions

The Baffler

In which the Picun poet Xiaohai reviews Cao Fei’s solo exhibition at UCCA Center for Contemporary Art

Chaoyang Trap

2020

Diaries of the Wuhan Covid lockdown

The Nation

Watching Hong Kong cop movies after nine months of police brutality

The Nation

Made on mmm